the second of two eps from talented californian newcomer, tyler friedman, has now arrived. a night in the woods ep starts of as a murky rhythmic experiment. when released of its bound, it transforms into a hailstorm of sound that builds in melodic intensity towards a final climax. this is scenic and brave electronic dancemusic that over and over again will capture the focused listener. on the b-side rivet for sure push tyler towards berghain. but now the tool is somewhat different. rivet transforms the cinematic original into a very dirty and dry party stomper.

the smugglers inn has become a unique testing ground for new artists and productions and many of todays highly rated new school producers benefited from early support on the show as well as behind the scenes a+r advice from daniel when approached by record labels after being featured on the show.with a network of talent to draw from, it seemed a logical step to start a record label so this is the first release from what promises to be an interesting series of eclectic, dancefloor focussed musical endeavours from an all-star international cast.

4th release by 12records, presenting the new deep88 >removing dust< ep (taken from the forthcoming >removing dust< album that will be released later on this year). main single is a2 >the vibe<, a classic 90s beat made over a real melody, where vocals parts crossover and match each others, in two differents peaks, to create a whole >vibe< flow from the start till the end of the song. a1 is a test signal experiment, where samples take a different level, a sort of meta sample, a sample into a sample… well, have a listen, its easier to understand that way. bside is 3 tracks long, not a common practice in todays ep releases. b1 >grancartridge<, a moodymann house style raw song, b2 is even more raw sampling style, meanwhile b3 is a dreamy vocal house tune more common to deep88s style. the result is a mature ep, that ntroduces the 2nd deep88 album, always on 12records, and that will bring him into that >serious< realm of making house that is seen in some elite today (funny isn’t it… at the end it is just about music and we all have ears… maybe)... btw less marketing on our head, this 12inch wont be a coloured or hand written limited release, just the good old classic black one (yes it sounds better folks) and no limited copies… when is close to finish we will repress as usual.

icu boy n dread has been making some serious waves of late and when you hear his music, it doesn’t take long to understand why. his debut here on smokin sessions is soulful and beautifully engineered. clean crisp highend frequencies tickle your ear drums and the low end cuts through with a weighty punch. all 3 tracks have been supported by the deep heads page and had a very positive response.

preceding a full length album on 4lux, ka§par showcases his amazing talents on this second ep for 4lux. the portuguese producer comes with some of the most interesting dance music around. got good love is a tough deep house groover that comes as both original and with a nicholas remix. cruising andromeda is a futuristic techno tune for forward thinking deejays. on hyphen kaspar slows down the pace and tosses in some 707 action: a crazy ride with rough synths and spaced out effects. ka§pars releases have become rare and sought after, releasing little more than one 12inch a year in the recent past when one listens to the result, it only proves how great things take their time.

one of the most anticipated comebacks on local talk is finally here! their debut on local talk >moody< caused a big stir on the house charts and made the #01 at traxsource deep house 100 and still gets praise from djs all over the globe including karizma, steve bug, joey negro, the revenge and kerri chandler. the dynamic duo is now back with a even stronger ep doing what they do best, delivering two stunning vocal house tracks. the reaction mad mats & tooli got when they heard >trapped!< was unanimous -­- tune alert! using a colonel abrams acapella from 1985 and fusing it with a jacking track that retains the spirit of the dirtytwo sound & can only cause one thing, dancefloor mayhem. on the flip is >i m feelin< - a slighty more modern house burner that features old friend and pre dirtytwo fame spanka! vocalist frosche.

foam fangs could be a term used to describe silks preferred take on that too-easily dismissed 70s dancefloor dementia of disco – the soft bite, love nibble, mirrorball on steady/ready perma-revolve. jesse reiner (jonas reinhardts first mister, alongside past/part-time collaborators like phil manley of trans am and damon palermo of mi ami/magic touch), who never quite had the kranky krinkle of his ohm-ambient labelmates, travels head-on, tomorrowland-style, through long-form cosmic moroder constellations of >foam fangs<. nothing frothy about it, though there is a bit of the rubbery in reiner’s bounce-about, cool, funky kraut-disco. suddenly we are beaming back to a time when the world looked forward, envisioning a 21st century decked with silver, chrome, and neoprene. it is a sonic space both transparent and shiny, the metallic ding and cold ribbon of data, scrolling through infinite space. the opener, >foam fangs<, transports us instantly into an ever-expanding universe of sound and light at once fanning out and folding in on itself. variations on that theme continue as the jonas journey oscillates through the beat-beyond.

divided by two sides, bpv002 presents two most promising and talented young artist from romania and russia: welcome dubsons and stab9.
a side - will support your bag with some proper prime time sound, when on the other hand you get hypnotic, smooth journey on side b to guide your crowd through long after-hours...
both artists are well known among present techno scene. their releases were played and supported by such giants as: petre inspirescu, raresh, zip, tc studio, praslea to name a few. this limited vinyl release is not an exception. make sure to grab your copy on time.

32-song, 2x12 inch lp retrospective from vinyl passion collecting all of the actresss/singer/icons most famous musical performances throughout her storied career. featured here are such legendary numbers as >diamonds are a girls best friend<, her eternally famous rendition of >happy birthday< for president kennedy, a pair of duets with jane russell, and a duet with laurence olivier among many others. you name it, its here! pressed on dmm 180g vinyl for superb sound quality!

ok so heres the last installment in the creme jak series. we feel there s not much to add to this concept and over the past few years this kinda musick has found the foothold it lacked when we started this lil enterprise in the heydayz of beige vanilla minimal. in any case it seems fitting to go full circle and draw the curtains with an epic disco anthem that might not be jak perse, but at least coulda woulda shoulda been caned back in the dizzies in all the places that mattered ese! you see, house is a feeling and blablabla.. so here s a final one up your purist backsides as this mystery strap-on crew cuts and tape edits its way through a molten bucket of swiss cheese and ends up with a dead hooker in the trunk in the process. limited 250 copies sticker ish. no repress, no digital, this is the end..

we keep the good-times rolling along on the kolour mothership with the debut ep of deep-disco don debonair. we have been taking notes on this guy since we heard his first tune and ever-since, he just seems to move from strength to strength with each tune that is released. needless to say, when the opportunity arose for us to debut his first full-on solo ep, it was the epitome of a no-brainer for us. debonair shows us all facets of his musical capability with a melting pot of music ranging from the traditional debonair deep-disco sound to slo-mo beat-down business, deep-fused funk, with a dash of beautiful baleric sprinkles for good measure.

deep soulful house, ltd

new l.i.e.s!just when we had our doubts about the west coast, los angeles via nyc producer delroy edwards steps up with his debut release for l.i.e.s. musically edwards takes his influences from that barneys ghetto sound with oversaturated 909 shuffling highs, dx bells, 101 filters and ends up making fresh, and yes, melodic ghetto style tracks that somehow get stuck in your head even without vocals. a unique take on a modern classic with the dancefloor in mind.

having first come to prominence in 1999 when he was signed to ltj bukem s good looking label, makoto has steadily, consistently carved out his own groove in the world of drum and bass, with his trademark expansive jazz and soul-inflected workouts garnering critical praise from all corners. having worked with a veritable who s who of the scene, with releases on zinc s bingo beats, fabio s creative source and numerous collaborations with dj marky, makoto now releases his first ep on apollo records.

michael ozone, the character whos just dropped his debut offering for the esp institute this july, is back with a remixed version of his jungle-tuff >perfect systems ep<. on side a, steve summers (a name thats been up in your face over the last year, and one of the key figures in our cousins l.i.e.s. camp) has taken perfect systems for an imperfect ride, jacking it up as expected while keeping the somewhat sinister mood of the original. on the flip, young marco (who has become quite a resident at the esp institute) strips down hetrotopia to its core, letting you realize how a well-programmed track can maintain its melodic and hypnotic sense, even when all thats left is percussion.

born in america, raised in scotland, singing saxophonist amy lyon has been writing and singing music for around 6 years and began playing saxophone at the age of 10. with a love for jazz, funk and soul her influences include ella fitzgerald, otis redding, amy winehouse and erykah badu. with marlon hoffstadt she found an congenial partner to take her songs to the dancefloor. despite his innocent age of 18 years marlon’s productions keep up with those of the well known when it comes to quality. stylistically his sounds are somewhere between pop and house. marlon has that certain “something” that creates its own character and a very distinctive sound. their debut ep “you and a love stoned ghost,” contains four enchanting tracks created by the synergy of marlon’s fresh productions and amy’s energetic voice.

excellent john tejada double vinyl , pressed on 180gr vinyl, incl cd album

with - matio michael gull & brian benson leads you in a guitar-sphere. inclusive the remix of guest head-liner - livio & roby (desolat) you dont know how high you will be flying when you pass into the other sphere behind the horizon. the track is pervaded by deeply and rocking features

vinyl only!. professor inc gets around in paris and it was natural for rue de plaisance to welcome his project very detroit oriented. label manager, producer & executive producer of amour, wbttu & reve, all vinyl labels where he releases under various nicknames & anonymously presenting his influences. varoslav welcomes 4 of his tracks: natural evolution magnifies tweaks & complex grooves, sfx like haute couture. the machines speaks and even lyrics embrasses the concept with computer generated voice. telegraphe stalingrad is a collaboration with the young producer modstand living near telegraphs subway station. professor inc used the sound sources he plays usually with the horses and live gigs to make a complete new track, very tracky & dj tool, usa style & strong beat. detroit baby once again, an absolute delight of complex puzzle and chess. >heavy drum, bass duty, this is detroit< says derrick thompson from detroit and label owner of soiree records where he reads a text written by inc himself. pmax, expartner of inc in their band phuko plays the keys while the other arranges them. very catchy & state of the art of the genre when it is digitally produced. hoes this is where it ends and it is for the best. as detroiters in late 80s got influenced by the house sound of chicago parties and created techno, the frontier was little, thats what the professor is bringing here on the today style. this b face remines ds classic key pads for sure.

the cryovac machine is maintained and operated by a. garcia. the components that make this machine function are the artists that push their creations forward to seal off their own vision of the now. what is preserved is the character of a craft that follows its own path. cryovac believes sound vibration released from vinyl has the proper disposition to express the true nature of the cryovac approach, and only selects the best vinyl when manufacturing and inspecting its product. the cryovac machines purpose is to keep an independent view of the detroit sound. jason garcia is an international d.j., producer, and house music aficionado. his production runs the gambit of genres with a knack for injecting his smooth character into each work. for this effort garcia has chosen to represent himself with a house style that is truly pimp heroic. jason garcia will forever have people in the detroit underground.

mit dem ehemaligen alexisonfire-frontmann wade macneil haben gallows einen großartigen nachfolger rekrutiert. gemeinsam veröffentlichen sie am 07.09.2012 das erste studioalbum in neuer besetzung - das insgesamt dritte full-length album. in wade macneil hat die band einen ausgezeichneten ersatz gefunden, denn seine live-performance gilt als legendär. das im september erscheinende album >gallows< belegt, dass die fünf weiterhin einzigartig in ausdruck und kraftvoller dynamik sind. vom ersten moment an waren gallows eine ungewöhnliche band für die britische rockszene. 2005 ist die hertfordshire crew aus der britischen untergrund punk-szene entstanden. ihre einflüsse kamen stets vom amerikanischen hardcore - refused, at the drive-in, jr ewing - die für den brachialen und typisch tobenden sound einer unzufriedenen jugend stehen. das album erscheint auf ihrem eigenen label venn records, aufgenommen im sommer 2012 in watford von thomas mitchener und steve sears. inklusive code für freien mp3-download des albums.

with crazy erg the label welcomes a real specialist when it comes to techno, not only that he is on duty for quite a while now, but also because of the fact that ergin karabulut is known for his truth to techno with releases on numerous labels like harthouse, contruct rythm and so many others. his automatic is a sure shot on dancefloors with its driving sounds and kicking drumming. on the flip uks technobangers spektre deliver a darker and not less powerful interpretation of the original. another record to be found in playlists all over...

its time for the italian house hero again - nicholas! he has been all around in the past and he just cant do wrong. when it comes to proper us influenced house music, nicholas is the man. his new full release for quintessentials proves his talent again. its all there: the beats, the basslines, the pianos, the vocals! we love that! grazie nicholas!

taron-trekka as a dj & producer duo posses the gift to make people happy, in that they implant in their souls powerfully deep music. the two gentlemen call aloud from the cellar: can we kick it? the audience answers back dancing: yes you can! and so it goes on their second release, for the enthusiast label milnormodern run by treplec, which has managed to carve some room when it comes to puffed out beats. the release cycle is a gentle process. in this way such sonic pearls unfold develop to their fullest, without drowning in a flood.
oooh, a milnormodern – put it right in the box, ahhh a taron-trekka. i ll take that without having to even hear it...
what taron-trekka does from the wide field of deepness is fashion a diversity of color and that certain thump that fits right in-between their compositions. regardless of whether a piece sounds a little held back, somehow it produces a booom. for them, dancing is the vertical expression of the joi de vivre of the body members, based on the horizontal fantasy and an empathy for the physical.

special limited edition reissue of cyndi laupers iconic album from 1983, remastered, numbered and pressed on heavyweight 180 gram vinyl.

very special release!!! no represses when working on something, many other things happen which have an appeal of their own but do not fit together with what you have in mind, or where you are heading. this series of recordings is about the unexpected, things opposed to the plan. it is a slice of life, a snapshot that divides before and after. the more conscious you are of moments like this, the more often you will experience that something special is happening right now, in this second. and then it is gone for ever… unless you buy it on vinyl... already played by karotte (cocoon / great stuff)

sentels long awaited 2nd ep clutches 3 brand new tracks of wall climbing haunted house in its clawed fist. specially engineered for when teh warehouse goes bad.

gregor tresher and cocoon are linked by a long-time relationship which starts all the way back in 2004, when sven väth played gregors productions in heavy rotation. > about a good place< is a huge prime time floor monster as we like it.

mark henning is back! back on cityfox! a classic acapella and marks distinctive sound collide, result-ing in a huge tune, sounding old school and fresh at the same time. not just the vocals are telling a story here, the synths and bassline add their part to complete the track. the second original trojan is the secret weapon and club bomb, the dark side of the release, because too much sunshine is never healthy. afrilounge take it a step deeper and its big string melody sounds as clean as and sparkles like the sunrise itself. the 1998 edit incorperates the rhythms and vibes of classic house and techno from the era when it all began. thick, groovy basslines and pulsing pads laid out over infectious percussion make this track an instant classic.

zafsmusic.com continues to bring you the rarest disco & boogie bangers with his new compilation titled >private wax vol 1.< 15 scintillating excursions into the deep disco & boogie world of privately pressed & produced gems. zaf zafsmusic is a disco weasel of the highest order!

dead capo is a quartet that fluctuates between the classic sounds of jazz, the attitude of rock and the trepidation of surf. all of this seasoned with the cinema sounds of rota or morricone.
it has been 10 years since their debut lp, díscolo (pueblo records, 2002), made waves with the national critics. their new album is once again surprising and the band sounds as fresh as when they started their journey at the end of the 90s. sale (lovemonk, 2012) combines an extraordinary energy with passages of meticulous precision and goes from wild to calm in a way that is both unexpected yet natural. thelonius monk, cartoons, cinematic landscapes, rocks past, africa, surf and the ballad come together in an album as great as it is as unpredictable.

since their breakthrough debut ep on culprit a mere 3 months ago, climbers ascent has been the definition of meteoric. the young mexican duos success is no mere lucky break or flash in the pan story, though – jay blakk and kiko deal have done it the right way, their tremendous artistic growth spurt coming as the inevitable result of ceaseless studio work coupled with the boys staunch adherence to their musical roots sprinkled with more than a touch of inspiration. 2 come back is the climbers most accomplished song to date, that rare breakthrough moment when a production teams developing signature elements come together in an exciting way, making for something special.

inspired by the teachings of the earons (thats .22, .18, .33, .69 and .28 to the uninitiated, see www.earons.net for more background), a splinter group was formed earlier this year, with the express mission to bring back the message and connect it to a whole new audience. >land of hunger< is given a 2012 reconstruction from the cosmologist, a sturdy rework performed by the mysteriously concealed outfit, who identify themselves only as .40, and .44. whilst they are heavily influenced by earons beliefs on positive energy, which they seek to share, .40 + .44 are quick to point out they have no links with the earlier incarnation from 28 years ago, but felt a compelling force to unearth it once more. the universe knows when the time is right, and frankly the original broadcast was just too good to not want to fashion a 2012 edit, so a new chapter begins ...

hannover based imprint yippiee return with the outstanding come with me ep this august by manuel moreno, backed with remixes from label owners filtertypen and normen hood. this release follows the success of yippiees treibgut sonder kompilation which featured cuts from deepnhouse heavy hitters chris lattner, moritz piske, patlac and gorge to name a few. now the german imprint deliver this four track single from swiss producer manuel moreno whos releases on 8bit and dj sets at space and privilege (ibiza) have earned him a highly praised status in the underground. title track, come with me, opens the release, encompassing a boomy kick drum, tight drum programming and ethereal atmospherics to create a deep and dark distinctive quality. the inclusion of a gritty sub bassline further fuels its murky progressive vibe, while the introduction of a soulful vocal hook and bright string melodies adds a lighter touch to the composition.label owners filtertypen opt for a less is more approach to their remix of come with me. stripping back the atmospherics to a more dismantled state, the duo-apply punchy drums and a warbling sub-bass,resulting in a smooth rolling groove that runs steadily for its duration. the cut comes into fruition threeminutes in when the pair bring in an amalgamation of deep strings, synth shots and delayed fx, finely placedto create an expansive dynamism. hello bernhard employs deep worldly percussion as its driving force, while guitar licks and warm chordscreate undeniably beautiful imagery. moreno demonstrates his ability to manipulate melodies with precisionhere, introducing several elements to play off one another in a call and response fashion. last up on the wax release is im sorry, a solid slice of house built around rolling toms, sawtooth bass notes and trippy vocal murmurs. manuel utilizes heavy delays and big room reverbs to create cavernous effects in the breaks that adds an incredible weight when the preceding groove is brought back in. to close the release normen hood offers up a remix of hello bernhard as a digital bonus. applying deep house tactics, hood plays on warm piano stabs and brass hooks that deviate around the tight-knit drums for several minutes creating an epic rework.

with another release that is made to be a soundtrack for sunny open air scenarios, acker records keeps living up to its name and pays tribute to the current summer season. in doing so, the label from mecklenburg one more time steps out of the line, since this release again distinguishes itself by a refreshing otherness. light and easy piano plonking as well as the lascivious french voice of singer rebecca dominate the atmosphere of ici, while its minimal electronic groove discreetly remains in the background. a really tropical feeling evolves in the long version of this track when playful synthesiser chords give rise to the idea of a steel drum. in his remix, mollono.bass manages to combine the very song-orientated approach of the original with a bouncy electronic arrangement. thus he not only creates a lot of dance floor thrust, but also provides the perfect link to rather conventional productions.

audio phreaks new signing archie cane has been causing some seriously big waves on the dubstep circuit of late and when you hear his music, you will understand exactly why. a recent upload from ukf that is a collaboration with dream has really got people talking!here is his first vinyl release to date and boy does it pack a punch! >kill everything< on the a side is a all out, in your face bass monster! gritty and technical low frequencies make up the production with heavy beats slicing through the track. 2 tunes that compliment the release very well. dont miss out, i m like you, very limited press on this one.

finally its here! moustache is proud to present the superhit memories by alden tyrell featuring the voice of italo - fred ventura. the original version takes you back to 1983 combining rolling basslines and heavy synths with freds outstanding lyrics. this is a true masterpiece which has already been a major hit on the cybernetic broadcasting system. the flipside contains an instrumental version of the original as well as a state of art remix by fred ventura and stefano tirone for state of art 2.0. stefano is the original songwriter from jock hattle and part of flexx when they made the futuro e donna soundtrack. the remix is really easy going and great for lazy sunday afternoons on the couch. cutted by the legendary lex van coeverden. 500 copies only!

vinyl only - 250 copies worldwide.

excellent house release on aux rec... with brilliant track from leonel castillo / franco cinelli / sloe clap

kormacs latest release for scribble records sees him teaming up with old pal mc little tee for the ska driven >superhero< while the guitar and string laden >another screen< is a collaboration with literary great irvine welsh (trainspotting, the acid house, skagboys). >another screen< came about when kormac turned up on welshs edinburgh doorstep with the track written especially for him. rather than take out a restraining order the generous author took him in, fed and watered him and sent him home with the track complete. the result is a double header of contrasting styles that prove kormac is on a creative high.

check this out - before going on holiday here it comes! for the most sophisticate clubbers, a new pearl signed wwr, the current most ambiguous label! lazy but not dead, when the duo altarboy moves its ass theres no crap to cut. the synth programmings on this 12 inch is pure analogical sound. the lows on the two tracks draw the rhythm with an able mix of roland, korg e moogs timbre. the rest comes around and sounds great. the detune on the second part of lazy ass is for real experts. go rejoin yourself with the well done house.

when discussing producers with consistently good outputs, few compare with jan driver. just pulled out his debutalbum amatilda last year, jan driver again dished out an extra tasty and promising morsel: this one-shot named peaker comes with a gigantic brightness in sound and is not less than a slammy hand-clapping celebratory basher. the and heavy subbasses are literally all over the place. jan driver signatures for sure! it has the exact fair amount of tension a track needs to sound excited and to infect your eardrum. on the flip side, action flowers rework pad the track with a golden summerdress, adding a magnificent arpeggio sequence so perfectly complementary to the original sound, its shimmering all the way to the solar system.peaker is proven to be one of our favourite summer releases in 2012 thus far, with its take on a slower beat and more of a late night come-down vibe apparent. you know that feeling when you hear that perfect song for the first time? well, it just happened. twice. weve got goosebumps. were feverish. were sweaty.time for the summer to come. now we impatiently wait. were just a little excited, you know?

highlive are introducing themselves with an interesting mixture of musical visions thru their first ep accurately titled >a thing called fusion<. its title track is an elegant melting of bass lines, easy highs and simple melody conduction. yet you never get annoyed nor are you expecting jim morrison to open a door, but it happens. there is a psychedelic touch when you least expect it.
enjoy a musical high in your life, enjoy highlive – a thing called fusion ep!

when it comes to and strikes you, it works. this is the only thing that rules only300 familys sound, an edm label born in milan in the end of 2011. tech house with no strings attached is the reference point to start from and experiment with, together with the diverse influences of a genre in progress. our musical research - coming from only300 (milan) staff vision - goes beyond ideological bounds between means of production: no matter if its digital or analogue, the point is the emotion behind the sound, even if it comes to your legs, heart or brain. o300f sees flying high records - not just dance floor/club/listening oriented - and it thinks that labels are just gilded cages.

tony ollivierras issued a generous number of singles and eps under the ibex moniker on rushhour, planet e, yore, and his own ibex music, and now follows up his 2010 yore release, meltdown, with absolution, though this time under his birth name. no matter: ollivierras music sounds great, whether issued under his real name or an alias, and absolution is no exception. the infectious title cut gets things moving with a bass-powered blend of claps and funky rhythms before chunky house chords and silken synth figures add to the tracks multi-layered splendour. a jazzier dimension rises to the surface of quick release when the tunes churning hi-hats are joined by royally swinging electric piano playing and luscious synth pads.phase down opts for a purer deep house sound in its focus on kick drums, claps, and futuristic synths, though the track proves that ollivierras naturally funky side cant help but emerge, here as it does elsewhere.

the boys are back ... back with another banger too. definitely the best little label doing the rounds around these parts of late. viennas luv shack records continue with the good groove venturing once again into suspenseful house and disco.
this time the turn of lesale to pull out the big thick juicy drums and chunky basslines for which luv shack is making a very respectful name for itself. guaranteed heavyweight thump when you flop the needle to the left side every time with the luv shack.

coinciding with the cinema premier of bar25 – tage ausserhalb der zeit (bar25 –days out of time), the bar25 label is releasing the official soundtrack. together with its closest musician friends, the label began work over a year ago on exclusive tracks that would be included in the final cut. the result is a remarkable compilation of works from a number of music genres – a unique collection of musical contributions by steadfast companions of the exceptional place that was bar25. this 12inch inch is a very special present to our vinyl friends.like the film, this compilation a tiny testament for eternity to the late, great bar25 something definitely worth having on the shelf for reliving the feelings experienced there when it existed from time to time.

another slamming release from veteran producers jay lumen (saved / mistakes) and gary beck (soma/perc trax). on their own they are pretty amazing so imagine what they are like when their talents are combined. this drumcode bomb is an essential for any techno box, lets face it this one will do the damage!

fresh vegetables from alex kork!
you will see how it sounds and looks like when a broccoli is pressed in a 12inch.